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Down the middle of the Ganges a white bundle is being borne, and on it a crow pecking the body of a child wrapped in its winding-sheet.
TWO:Then, suddenly, there was a clatter of tom-toms, and rattling of castanets, a Hindoo funeral passing by. The dead lay stretched on a bier, his face painted and horrible, a livid grin between the dreadful scarlet cheeks, covered with wreaths of jasmine and roses. A man walking before the corpse carried a jar of burning charcoal to light the funeral pile. Friends followed the bier, each bringing a log of wood, to add to the pyre as a last homage to the dead.
THREE:Then a man rose, and standing on the bayadres' carpet, he recited, in verses of equal measure, a sort of heroic legend, making his voice big, and emphasizing his words with grand gesticulation. One of the dancers spoke the antistrophe, and this went on interminably, till their voices gradually sank to mere hollow and expressionless intoning, while they swayed their bodies to and fro like children who do not know their lesson.

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THREE:They were clad in colourless rags, matted and grizzled hair hung about their pain-stricken faces. The woman was the more delicate, her bones smaller and less knotted than those of the man, whose joints were gnarled, his scraggy knees forming thick bosses of bone above his shins. They threw themselves like hungry animals on some cooked grain which Abibulla brought out for them, and then, with scared looks all round, they went quickly away, as quickly as they could with halting, weary feet, without even saying thank-you.While I was talking to the postmaster the fakir smoked a hookah, burning amber powder and rose-leaves. The air was full of the narcotic fragrance; a piercing perfume that mounted to the brain.

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THREE:KOHATPresently three beggar-women came up to sing from door to door. In their arms, like babies at the breast, they carried shapeless idols painted red, bedizened with spangles and gilt paper. They wailed out a ditty repeated again and again, knocked perseveringly at the doors, insisting on alms; and[Pg 96] then, when they had received it, they touched the threshold with their blood-coloured puppets and departed.

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THREE:Flocks of almost tame partridges and wood-pigeons occupying the road did not fly till they were almost under the horses' feet, and all the way as we went, we saw, scampering from tree to tree, the scared little squirrels, grey with black stripes and straight-up bushy tails.
THREE:Close to the monumental trophy of Khoutab is a temple with columns innumerable, and all different, overloaded with carvings incised and in relief, with large capitals; beams meet and cross under the roof, also carved in the ponderous stone, and the whole forms a cloister round a court; while in the centre, amid Moslem tombs, an iron pillar stands, eight metres high, a pillar of which there are seven metres sunk in the grounda colossal casting placed here in 317, when half the civilized world was as yet ignorant of the art of working in metal. An inscription records that "King Dhava, a worshipper of Vishnu, set up this pillar to commemorate his victory over the Belikas of Sindhu."In the harbour, where there was a light breeze blowing, the little outrigged canoes had hoisted large sails, white edged with black, and vanished into the distance, skimming like winged things over the intensely blue water.
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    There was at the top of the temple a sarcophagus in a shrine, on which were masses of impalpable silk gauze embroidered with gold, which looked like a peacock's breast, so subtle were the transparent colours lying one above anothergreen, blue, and yellow predominating, gauze so light that the slightest breath set it floating in glistening and changing hues; and on the snowy white pavement of the floor was strewn a carpet of very pale lilac lilies and mindi flowers.CAWNPOREFurther off, under the banyan trees, is the sepoys' camp; they have been turned out of barracks on account of the plague; and flashing here and there among the dark, heavy verdure there lies the steely level of motionless ocean.ALLAHABADWherever the alleys cross in the bazaar, open cages are placed on pillars of carved marble or wood, and in these, charitable hands place grain for the birds; thus every evening, round these shelters there is a perpetual flutter of pigeons, minahs, and sparrows, pushing for places, and finally packed closely together, while the little lanterns flash out on all sides, giving a magical aspect to the shopfronts, turning copper to gold, fruit to flowers, and falling like a caress on the wayfarers in thin pale-hued robes.
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