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Most of the great painters were to be found at the house in the rue du Gros-Chenet, where the suppers were as gay and pleasant as of old.Mme. Le Brun saw Mme. de Narischkin and her sister before she left Russia, for though she only intended to be there for a short time, she remained for six years, making an immense number of friends, and apparently no enemy but Zuboff, the last favourite of the Empress Catherine, an arrogant, conceited young man of two-and-twenty, whom she supposed she had offended by not paying court to him; and therefore he tried all he could to injure her with the Empress.Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.Paying no attention to this order, Mme. de Genlis continued her journey to Belle Chasse, where she found her husband, the Duke, and five or six others.Rushing to him, he threw his arms round his neck, exclaiming��<000005>