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Built for all levels of expertise, whether you need simple pages or complex ones, creating something incredible with Marco is an effortless and intuitive process.
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We’ve taken great care to ensure that Marco is fully retina-ready. So it’ll look good on any retina display. We use retina.js to ensure the best view.
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Marco fits any device handsomely. We tested our theme in major devices and browsers. Check it out and test it before buy it on responsinator.com.
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Good looking animations are an essential part of the new theme design trend. We add animations.css, a cool script to help you enhance your site with style.
Built for all levels of expertise, whether you need simple pages or complex ones, creating something incredible with Marco is an effortless and intuitive process.
We’ve taken great care to ensure that Marco is fully retina-ready. So it’ll look good on any retina display. We use retina.js to ensure the best view.
Marco fits any device handsomely. We tested our theme in major devices and browsers. Check it out and test it before buy it on responsinator.com.
Good looking animations are an essential part of the new theme design trend. We add animations.css, a cool script to help you enhance your site with style.
Font Awesome is the most used icon font on Bootstrap. Gives you scalable vector icons that can instantly be customized with the power of CSS.
We aim to design both, functional & beautiful themes. Details are an important part of our main concept. We work hard to keep our code and front-end flawless.
ONE:There were three kinds of strain mentionedtorsional, deflective, and accidental. To meet these several strains the same means have to be provided, which is a sufficient size and strength to resist them; hence it is useless to consider each of these different strains separately. If we know which of the three is greatest, and provide for that, the rest, of course, may be disregarded. This, in practice, is found to be accidental strains to which shafts are in ordinary use subjected, and they are usually made, in point of strength, far in excess of any standard that would be fixed by either torsional or transverse strain due to the regular duty performed.
ONE:Men and young women in the prime of life sat whole days in a chair, or lay abed, because in the most literal sense of the word they were unable to stand on their feet for fear and terror, caused by the incessant menaces.
ONE:But even taken in its mildest form, there were difficulties about Greek idealism which still remained unsolved. They may be summed up in one word, the necessity of subordinating all personal and passionate feelings to a higher law, whatever the dictates of that law may be. Of such self-suppression few men were less capable than Cicero. Whether virtue meant the extirpation or merely the moderation of desire and emotion, it was equally impossible to one of whom Macaulay has said, with not more severity than truth, that his whole soul was under the dominion of a girlish vanity and a craven fear.278 Such weak and well-intentioned natures174 almost always take refuge from their sorrows and self-reproaches in religion; and probably the religious sentiment was more highly developed in Cicero than in any other thinker of the age. Here also a parallel with Socrates naturally suggests itself. The relation between the two amounts to more than a mere analogy; for not only was the intellectual condition of old Athens repeating itself in Rome, but the religious opinions of all cultivated Romans who still retained their belief in a providential God, were, to an even greater extent than their ethics, derived through Stoicism from the great founder of rational theology. Cicero, like Socrates, views God under the threefold aspect of a creator, a providence, and an informing spirit:identical in his nature with the soul of man, and having man for his peculiar care. With regard to the evidence of his existence, the teleological argument derived from the structure of organised beings is common to both; the argument from universal belief, doubtless a powerful motive with Socrates, is more distinctly put forward by Cicero; and while both regard the heavenly luminaries as manifest embodiments of the divine essence, Cicero is led by the traditions of Plato, Aristotle, and the Stoics, to present the regularity of their movements as the most convincing revelation of a superhuman intelligence, and to identify the outermost starry sphere with the highest God of all.279 Intimately associated with this view is his belief in the immortality of the soul, which he supposes will return after death to the eternal and unchangeable sphere whence it originally proceeded.280 But his familiarity with the sceptical arguments of Carneades prevented Cicero from putting forward his theological beliefs with the same confidence as Socrates; while, at the same time, it enabled him to take up a much more decided attitude of hostility towards the popular superstitions from which he was anxious, so far as possible, to purify true175 religion.281 To sum up: Cicero, like Kant, seems to have been chiefly impressed by two phenomena, the starry heavens without and the moral law within; each in its own way giving him the idea of unchanging and everlasting continuance, and both testifying to the existence of a power by which all things are regulated for the best. But the materialism of his age naturally prevented him from regarding the external order as a mere reflex or lower manifestation of the inward law by which all spirits feel themselves to be members of the same intelligible community.Nor was this all. Thought, after having, as it would seem, wandered away from reality in search of empty abstractions, by the help of those very abstractions regained possession of concrete existence, and acquired a far fuller intelligence of its complex manifestations. For, each individual character is an assemblage of qualities, and can only be understood when those qualities, after having been separately studied, are finally recombined. Thus, biography is a very late production of literature, and although biographies are the favourite reading of those who most despise philosophy, they could never have been written without its help. Moreover, before characters can be described they must exist. Now, it is partly philosophy which calls character into existence by sedulous inculcation of self-knowledge and self-culture, by consolidating a mans individuality into something independent of circumstances, so that it comes to form, not a figure in bas-relief, but what sculptors call a figure in the round. Such was Socrates himself, and such were the figures which he taught Xenophon and Plato to recognise and portray. Character-drawing begins with them, and the Memorabilia in particular is the earliest attempt at a biographical analysis that we possess. From this to Plutarchs Lives there was still a long journey to be accomplished, but the interval between them is less considerable than that which divides Xenophon from his immediate predecessor, Thucydides. And when we remember how intimately the substance of Christian teaching is connected with the literary form of its first record, we shall still better appreciate the all-penetrating influence of Hellenic thought,158 vying, as it does, with the forces of nature in subtlety and universal diffusion.
ONE:To be after life what we have been before!