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It was impossible to spare much time to be absent from Paris, but Mme. Le Brun often spent two or three days at the magnificent chateaux to which she was invited, either to paint a portrait or simply as a guest.

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They had systematically augmented his suspicions till they induced him to sign an order for the arrest of the Empress, the Tsarevitch, and the Grand Duke Constantine, and this document they showed the Tsarevitch, saying: You see that your father is mad, and you will all be lost unless we prevent it by shutting him up instead.What made this all the more provoking was that M. de Calonne was not even, like M. de Vaudreuil, [64] a great friend of hers. She did not know him at all intimately, and in fact only once went to a party given by him at the Ministre des finances, and that was because the soire was in honour of Prince Henry of Prussia, who was constantly at her house. The splendid portrait she painted of Calonne was exhibited in the Salon of 1786. Mlle. Arnould remarked on seeing it, Mme. Le Brun has cut his legs off to keep him in the same place, alluding to the picture being painted to the knees.
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TWO:
FORE:It was Mme. Jouberthon, afterwards the wife of Lucien Buonaparte.
FORE:The Louvre, then filled with works of artthe [148] plunder of the rest of Europewas naturally a great attraction, in fact so absorbed was Lisette in the wonders it contained that she was shut in when it closed, and only escaped passing the night there by knocking violently at a little door she discovered. The aspect of Paris depressed her; still in the streets were the inscriptions, Liberty, Equality, and Fraternity, which in France bore so horrible a meaning. Many of the friends for whom she inquired had perished on the scaffold; nearly all who survived had lost either parents, husband, wife, or some other near relation. The change in dress gave her a gloomy impression; the absence of powder, which she was accustomed to see in other countries, the numerous black coats which had displaced the gorgeous velvets, satin, and gold lace of former daysin her opinion made a theatre or an evening party look like a funeral; the manners and customs of the new society were astonishing and repulsive to her.
FORE:Comtesse de Noailles, you forget the grand-aum?nier, to bless the rising sun after having exorcised the spirits of darkness.Their great stronghold was the salon of Mme. Geoffrin, where all the radical, atheist, and philosophic parties congregated. DAlembert, Condorcet, Turgot, Diderot, Morellet, Marmontel, and many other celebrated names were amongst the intimate friends of the singular woman, who although possessing neither rank, beauty, talent, nor any particular gift, had yet succeeded in establishing a salon celebrated not only in France but all over Europe. Owing to her want of rank she could not be presented at court, and yet amongst her guests were many of the greatest names in France, members of the royal family, strangers of rank and distinction. She knew nothing of art or literature, but her Monday dinners and evenings were the resort of all the first artists of the day, and her Wednesdays of the literary and political world.
FORE:The demi-monde at that time kept themselves apart from the rest of the company; Frenchmen of good position and manners did not appear with them in public. If they were with them at the theatre it was in a closed box; though in her Souvenirs Mme. Le Brun declares that the fortunes made by them and the men ruined by their extravagance far surpassed anything of the kind after the Revolution.
FORE:She was received with delight at her house in the rue du Gros-Chenet, by M. Le Brun, her brother, her sister-in-law, and their only child, the niece who was to fill her daughters place. The house was beautifully furnished and filled with flowers, and that same evening a grand concert in her honour was given in the large salon of a house in a garden adjoining, which also belonged to M. Le Brun, who told her that he had during the [147] Revolution, when the churches were closed, lent this salon to celebrate mass.
FORE:
FORE:
FORE:I knew it, replied Fronsac, and passed on.
FORE:
TWO:

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TWO:What nonsense?
TWO:

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On the nights when there was an opera, the Palais Royal was open to any one who had been presented there. The first invitation to supper meant a standing one for those days, therefore the Palais Royal was then crowded with guests; and on other evenings the petits soupers, generally consisting of eighteen or twenty guests, were composed of those of the intimate society of the Duke and Duchess, who also had a general invitation.Like many other persons, Mme. de Genlis, though she chose to act in a way that she must have known to be suspicious, even if there had been no real harm in it, made a great outcry when the remarks were made, and conclusions drawn that might have naturally been expected.Another time, hearing that the Princess wanted some shoes for a ball, he sent an express which travelled night and day to Paris to get them.In 1802 Mme. Le Brun revisited this enchanting place, or rather the ground where it used to be. It was entirely swept away; only a stone marked the spot where had been the centre of the salon.Her way of living was very simple; she walked about the park summer and winter, visited the poor, to whom she was most kind and generous, wore muslin or cambric dresses, and had very few visitors. The only two women who came much to see her were Mme. de Souza, the Portuguese Ambassadress, and the Marquise de Brunoy. M. de Monville, a pleasant, well-bred man, was frequently there, and one day the Ambassador of Tippoo Sahib arrived to visit her, bringing a present of a number of pieces of muslin richly embroidered with gold, one of which she gave to Mme. Le Brun. The Duc de Brissac was of course there also, but, though evidently established at the chateau, there was nothing either in his manner or that of Mme. Du Barry to indicate anything more than friendship between them. Yet Mme. Le Brun saw plainly enough the strong attachment which cost them both their lives.
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