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Mme. de Fontenay became impatient, for the sittings appeared to be interminable, and at last M. de Fontenay begged several of his friends to go and look at the portrait of his wife and give their opinion while it was still in the studio. It was in consequence more crowded than usual one day when M. de Fontenay, being also present, was joining in a conversation going on about David and his pictures.

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But it is confidently affirmed that Robespierre pursued Trzia, with even more than his usual vindictiveness. He begged the Marquis de la Valette, a ci-devant noble and yet a friend of his, to prevent the escape of this young woman whom they both knew, for the safety of the Republic. But M. de la Valette, although he was not ashamed so far to degrade himself as to be the friend of Robespierre, shrank from being the instrument of this infamy; and not only warned Trzia but offered her the shelter of his roof, which, for some reason or other, she declined. She was arrested and sent to La Force, one of the worst prisons of the Revolution, with the additional horror of being au secret. She had too many and too powerful friends to be sacrificed without difficulty and risk, and it was, in fact, his attack upon her that gave [321] the finishing blow to the tottering tyranny of Robespierre.As the lads grew older, however, their talents developed in exactly opposite directions, so that their father found himself obliged to consent to a change of plans with regard to their education. Louis, in fact, became ultimately first violinist to the Emperor Alexander of Russia, while Jean-Baptiste, casting aside his noisy musical instruments, studied painting with enthusiasm, went to Paris in 1786, and with much difficulty succeeded in getting into the studio of David, from which he was shortly afterwards on the point of being expelled, because he made a picture of David as a wild boar, surrounded by his pupils in the form of little pigs; all excellent likenesses.
  • THREE:The real names of Mlle. de Maintenon were Anne Paule Dominique, which, sonorous as they sound, were those of a poor old man and woman of the labouring class whom the Duchess had chosen to be her daughters godfather and godmother.
  • THREE:Sil aime les honntes femmes,Returning home one day after dinner with Diderot, dAlembert, Helvetius, and others of their set, he seemed to be so out of spirits that his wife asked if anything were the matter.
  • THREE:
  • THREE:
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TWO:Then I will be guilty too.
FORE:The Princess turned pale, trembled, and held out the gold, saying

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TWO:Lisette and her friend used to stay there all day, taking their dinner in a basket, and had an especial weakness for certain slices of excellent b?uf la mode which they bought of the concierge of one of the doors of the Louvre. Lisette always declared in after life that she could never get any so good.
FORE:I am not joking, Messieurs, and I am going to give you the proof of what I say. Griffet, the procureur, who was one of my ancestors, made a large fortune and gave his daughter in legitimate marriage to a Sieur Babou de la Bourdoisie, a ruined gentleman, who wanted to regild his shield. From this union was born a daughter who was beautiful and rich, and married the Marquis de C?uvres. Everyone knows that of la belle Gabrielle, daughter of this Marquis, and Henri IV., was born a son, Csar de Vend?me; he had a daughter who married the Duc de Nemours. The Duchesse de Nemours had a daughter who married the Duke of Savoy, and of this marriage was born Adla?de of Savoy, my mother, who was the eighth in descent of that genealogy. So after that you may believe whether great families are without alloy. [68]But what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary [50] light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.

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TWO:Good God! cried Trzia; appear before your tribunal! But I am condemned beforehand! A poor creature who is the daughter of a count, the wife of a marquis, with a hand like this, which has never done any work but prepare lint for the wounded of the 10th of August.CHAPTER VII
FORE:

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