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ONE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.��One autumn night, after ten o��clock, the beggar had not come in. They supposed the woman who took care of him had neglected to fetch him, and charitably waited till half-past. The sister cellarer sent for the keys, to take them, as usual, to the prioress, who would put them under her pillow. She was a demoiselle de Toustain, who, par parenth��se, had had the golden ball of her prioress��s staff engraved with the motto of her family, ��Tous-teints-de-sang�� (��All stained with blood��), which my aunt had thought out of place on an emblem of religious and pastoral office. She had remarked to the [372] Prioress, ��My dear daughter, a war-cry is always improper for a bride of Jesus Christ....��